Music candidates and a cue sheet on a desk
Music candidates and a cue sheet on a desk
In this guide
  1. Separate the music register from the release list
  2. Record the evidence when acquiring the track
  3. Check the use before editing
  4. Example: one recording in two videos
  5. Handle missing evidence and replacements
  6. Choose tools around the size of the job

Separate the music register from the release list

The deliverable is a music register linked to a release list. Give each downloaded recording an internal track ID, because a song title alone may identify several versions. Store the video ID, version, publication address and release date separately. One track can then be traced across several videos without duplicating its entire licence record.

A spreadsheet does not grant permission. Check the actual source terms against the proposed distribution. If the permitted use cannot be established, keep the music out of the publication candidate until the uncertainty is resolved or choose a documented alternative.

Record the evidence when acquiring the track

Useful columns include track ID, title, creator, acquisition URL, download date, terms review date, intended medium, required attribution and evidence location. For purchased music, also record the order reference and where the receipt is stored. Link the actual downloaded file to this record, rather than merely saving a search result.

YouTube Audio Library includes tracks with attribution requirements. Obtain the relevant information from the library itself. A similarly named external channel or a general claim that a track is free should not replace the terms for the specific recording you selected.

Check the use before editing

Before cutting to the music, compare the proposed destinations and uses: ordinary publication, advertising, client delivery and language variants. Mark any uncertain use as unresolved. Checking only after the picture edit is complete can create avoidable recutting when the music has to be replaced.

During editing, record where each cue starts and ends, the file version used and any shortened mix. Review the finished export through the later sections as well as the opening. A track accidentally left in the second half can remain a problem even when the opening cue has been replaced correctly.

Records to reconcile
Records to reconcile
CheckRecordAcceptance
RecordingM-014, source URL and evidenceProposed use checked
UsageV-021 v2, 00:00–00:18Matches the final export
DestinationURL, attribution and check datePublic version reviewed
A folder for music usage records
A folder for music usage records

Example: one recording in two videos

In this fictional example, track M-014 is used in product video V-021 version 2 and English video V-022 version 1. Keep the acquisition evidence once in the music register. The usage list contains two rows: V-021, version 2, 00:00–00:18; and V-022, version 1, 00:00–00:22.

When adding a destination for the English version, check that proposed use against the recorded conditions. Where attribution is required, recording the text in the spreadsheet is only preparation. Confirm that the description attached to the actual published video contains the correct credit.

Handle missing evidence and replacements

If the source disappears, inspect the saved evidence, purchase records and applicable agreement. Do not substitute an assumption that earlier use automatically covers a new campaign. When replacement is necessary, use the internal music ID to identify affected video versions and destinations, then assign an owner and deadline.

After exporting the replacement, check for remnants of the old cue, updated credits and completion at each destination. A corrected local file does not establish that the public video has changed. Record the new release reference and keep the previous version outside the delivery folder.

From checks to action
From checks to actionIs the use documented? → Log the cue usage (Confirmed); Is the use documented? → Hold or replace the track (Incomplete); Log the cue usage → Recheck released version (Accept); Hold or replace the track → Is the use documented? (After correction)ConfirmedIncompleteAcceptIs the use documented?Log the cue usageHold or replace thetrackRecheck released versionFrom checks to actionIs the use documented? → Log the cue usage (Confirmed); Is the use documented? → Hold or replace the track (Incomplete); Log the cue usage → Recheck released version (Accept); Hold or replace the track → Is the use documented? (After correction)ConfirmedIncompleteAcceptIs the usedocumented?Log the cueusageHold orreplace thetrackRecheck releasedversion
  • After correction:Hold or replace the track → Is the use documented?

Choose tools around the size of the job

A small library can start with an ordinary spreadsheet and disciplined folders. CapCut or VEED may be editing options, but the editor subscription and the permission for a particular music recording are separate checks. Budget for editing seats, acquired music, storage and replacement work rather than treating the subscription as the entire cost.

As the team grows, define who can change the register and who approves a release. A paid asset system becomes more useful when locating recordings or tracing destinations consumes significant time. Acceptance means another editor can trace one cue from its source evidence to every released use.

Resources for the next step

Audio and video production

Organise scripts, voice tracks, captions and exports so your production remains maintainable after publication.

Official sources

Pricing, availability and feature limits can change. Check the linked official pages before subscribing.

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